Along the top of the keyboard you’ll find Apple’s Touch Bar.

Our review sample aced our benchmark tests and felt lightning fast in Photoshop. The slightly older (but still current) MacBook Pro has no such compromises (providing you spec it up!).

However, it's only available with a 13-inch screen, and its max 16GB RAM can be limiting when editing high-res Raw images or big multi-layer PSD files. Right now, the 13-inch MacBook Pro M1 is the latest 'Pro and has received rave reviews thanks to its stunning blend of performance and efficiency. Poor connectivity without dongles -No touchscreen Of course, the right laptop for you depends on many factors: will this be your main machine, or is this a secondary device? How important is power and speed versus portability and battery life? We’d recommend a 15-inch screen size as the best balance between portability and having a versatile Photoshop workspace, while 16-17-inches offers a super-comfortable screen real estate and is worth the extra weight penalty if you'll be predominantly working from home. And if you like some gaming escapism, the Razer Blade 15 has you well covered. Its smaller size and lighter weight make it great for on-the-go image editing, but a 13-inch screen could feel restrictive for prolonged editing stints or general home working. The 13-inch MacBook Air M1 is a newer model in the MacBook range. It has an international reputation and has become synonymous with some of the best and most cutting-edge theoretical work in the humanities today.Right now, we think the 16-inch MacBook Pro is still the best all-round laptop for photographers, as its Retina Display with Apple's True Tone ambient light monitoring is both stunning to behold and also highly color-accurate. The series Cultural Memory in the Present has introduced many major thinkers to the English-speaking world over the years as well as showcased innovative work closer to home. Their topics include interrogations of accepted canons and institutions, archives and apparatuses, across a diverse array of fields including philosophy beyond its historical and geographical divides, global religion and its public theologies, the anthropology of contemporary communities old and new, media studies of ever newer visual technologies, and studies of literary texts and their transformative effect. Books in Cultural Memory in the Present move beyond conventionally defined subject areas and disciplinary boundaries and locate themselves at the intersection of theory and criticism as well as of literary and political practice. “Cultural memory” is the hospitable denominator that encompasses any present production and organization of words and things, gestures and images, sounds and silences, that are steeped in a past that is anything but over.

Best memory editor